Pine and Brass Hardware
It is my hope that, for people who view this, my latest cabinet, it will be easy, to appreciate the beauty in its simplistic design. I will say that with Pine, it is not easy to draw attention to design details. The gentle transitions of color within the grain patterns are easy for the eye to lose track of, and any embellishment would further distract from the intended experience. I also hope that you will agree with the subtle design decisions. The countless design decisions made along this cabinet’s path to completion do not arise in the mass production furniture world, and the consequences that result from their absence speak their own language. A language comprised not of words or symbols, but of sensitivities.
Raised Panel and Knob detail
Just as it is difficult to completely appreciate a musical score to which the lyrics are in a foreign language, it is extremely difficult to appreciate certain details of wooden objects when the work is done in a different language. From one piece to the next, so many of the same elements can be similar, such as similar proportions and/or functionality, but the results can be starkly different on a deeper level. To make the correct design decisions, you must be fluent in the language. This goes beyond the ability to read or write or speak in that language, scribing lifeless symbols and muttering away, to the deeper meaning of the message that is conveyed through the tone and emphasis with which the message is delivered. Therefore in order for authors and poets, and it this case, craftsmen, to convey their message accurately across these barriers, they must break the message down to into a form that is easily understood. That’s what I wish this cabinet to represent, a simple expression of complex concepts to be appreciated by all. It is easy to appreciate the beauty because of the harmony with which the elements interact.
Most people who have seen the work of James Krenov would see not similarities between his work and this cabinet. The most important thing, for him and for I, is not that the results bring the same level of joy, but the “doing” and the “method” and the “logic” should reflect the sensitivities of the craftsman. The work produced should be consistent with the individual doing the work. No compromises, be consistent. This is what lies deep within my heart and it is my goal to convey that through Wisp Woods. I understand that not all will agree, and projects could be produced faster by other methods, by making compromises, small at first and growing as they affect other decisions further down the road, but I need not the approval of all, only the inner satisfaction of a job done well, consistently guided by what lies within and what is uncovered when working one Wisp of Wood at a time.
Designer / Craftsman
~ Wisp Woods ~
Arlington, SD 57212